Production Equipment and a great range of products at great prices available at Rubber Monkey. We’ve tried lots of flathead fluid heads out there, and none of them are perfect until you get to super expensive and heavy heads. The Domke F-945 pouches come in a variety of colors and are perfectly suited for organizing your gear. In the end, maybe our next client hasn’t heard of our reputation before hiring us, but they’ve seen our last video, and the quality impressed them enough to pick up the phone and give us a call. Struggling to keep your video shoot on schedule? The lights we use and recommend in our filmmaking equipment list have been road tested and we really like them for our documentary kit. Video Production Equipment: 10 Point Ultimate Checklist - From … It's a huge time savor! 8K RED Helium DSMC2 Camera Package. This recorder can capture six separate audio tracks (four of which can be XLR), which you can easily mix on the fly. Although the C100 has dual slot auto record - so both your SD cards can record at the same time, ensuring you always have a backup - you may want an external monitor/recorder for interviews. If you’re working as a solo shooter, one man band style, you won’t have a crew person to sit in while you fiddle with lights, audio, and camera framing. Meike 12mm T2.2 Manual Focus Wide Angle Cinema Lens, To round out the lenses, I feel that going wider will actually get you more use. Your documentary shoot can be ruined by the wrong gear. So in the end, the viewer will only see your interview lighting setup for maybe 15-20 seconds of the whole video. For shooting on the go, tight spaces, or during a time crunch, it’s very helpful to have a light wand handy. If you shoot with a smaller camera like the Canon XC10/XC15, or a DSLR or mirrorless camera, the Pilotfly H2 is a very easy to use gimbal with a long battery life. Below we have included recommendations for cameras, lenses, lighting, audio, and all of the accessories that come with these gear essentials. The average viewer does not notice the effect. This camera is stabilized, shoots in 4K, can handle 1080p footage at 120fps, and is overall extremely solid for a mirrorless camera. The Aputure 300D is a game changer for outdoor interviews and we recently used it for over a year and wrote review of the Aputure 300D. Audio often doesn’t get the attention it deserves, but it can make or break your project. Over 100 institutions use Connect2 to showcase, schedule and track their resources. Just handheld run and gun and get the shots, fellas. If you want to go with a traditional video tripod with a bowl mount, we really love the Miller Air Carbon Tripod system (see our article on the Miller Air Tripod). VIDEO CAMERA OPTIONS FOR ANY BUDGET. We have used three Canon C100 for a few years now, on shoots all over the country, creating stunning looking docs for web series, universities and nonprofit organizations, and big name clients. The camera is only as good as the lens you use, and that choice can really change the look and feel of your end product. Yes, it's bigger and heavier than our Gitzo system, and if we're only shooting interviews with our tripod, maybe that's overkill. Plus the AF and IS make it a perfect companion to the C100. Our families have a better quality of life when we choose better video gear. 4k ARRI ALEXA MINI CAMERA PACKAGE. US $33.50-$38.50 / Piece. The manual focus control is terrible, and the plastic feel is not very comforting, and it’s also variable aperture from wide to tight. Video Production Equipment Find the best prices and brands of church video production equipment at Church Technology Superstore. We recommend the 672 Wide because a Spot will need some sort of diffusion for any of the above purposes. The “nifty-fifty,” which retails for only $125, is a wonderful option at a price that’s consumer friendly. And so the professional veteran who has been at this for 25 years will tell you to rent your gear, rather than save up to buy video equipment. A lack of both footage and rapport can seriously impact your ability to make a good video, which then affects your chances of getting hired for the next gig. Even though a documentary filmmaker will typically only use lights during an interview, rather than during B-roll acquisition, bringing along the right or wrong lighting kit can have an immense effect on the quality of your video. That's the Law of Diminishing Returns. But first, let's talk a little bit about documentary video production, and why the tools you choose are so important to the job. Even if chocolate chip is on your mind, our cookies make an important contribution to a great shopping experience. At some point along the line, the complexity and expense of the filmmaking equipment continues to shoot further and further up, while the results don't improve all that much. It’s not just bad gear, because there are some amazing tools out there that are perfect in a controlled environment, like in a studio set or on a corporate video shoot. Download the free video Video Production Equipment Video Production Equipment Litufoto Dimmable 3200K-5600K RA 96 Portable LED Studio Fill Light Video Production Equipment. The 35mm f/2 IS and 100mm f/2.8 IS are the only two prime lenses we use in our documentary kit right now. But here’s the thing: on a C100, all of those downsides go away. We place the mic in a popular microphone shock mount, on the shortest boom pole we could find (to fit in our carry-on luggage), the K-Tek KE-79CC with an internal coiled XLR cable, which then goes on the smallest grip head we could find, the Matthews Minigrip Head, and on this solid boom pole holder. Bag and stack your stuff way past the normal height, leaving it unzipped yet rigid enough to hold your gear as you carry the bag. The choices you face when building out your equipment kit can be overwhelming, so we put together this list to help you sort everything out and get started building a kit of your own. It’s everything else, too, that enables you to create better videos than perhaps someone who bought the wrong gear. Want to read more about the different types of video projects out there, and what makes each one different? In our kit we use both a LAV mic and an overhead boom mic for 90% of our interviews - to give us options in editing and to also serve as backup in case one mic has rubbing noise or fails altogether for whatever reason. We’ve done this on several shoots, and it’s always fun to imagine what it would take to shoot at a similar focal length. And of course, never leave home without a multitool. So that’s everything. How to Choose the Right Video Equipment and Tools | Vidyard It’s user friendly, it produces an excellent RAW image at rates up to 75 fps, it offers dual-native ISO, it has thirteen stops of dynamic range, and it includes customizable media storage options. Console Design and Fabrication - Video Production Consoles and Equipment Cabinetry. The right gear allows you to focus on shooting fantastic images, conducting great interviews, and packing and traveling in a way that doesn’t blow your budget. Here is a list of the basic video production equipment you will need to start your YouTube channel: Camera; Microphone; Tripod or Gimbal Stabilizer; Lighting; Video Editing Software; 1. Cheap, lightweight, and bright, yes, but their plastic housing is not durable and probably won't survive a bad fall. No sweat - GPS is a common feature on an action camera like a GoPro, so you'll be able to track the video in more ways than one. You may want to add your own voice narration, or place helpful text on the screen, to guide the story forward. The C100 is the clear successor to the DSLR cameras that have ushered in the DSLR revolution. It’s why we recommend the C300 Mark II over in our promo video guide. You'll want to carry extra batteries for your C100, as well as for your lights, external monitor, shotgun mic, wireless lav systems, and anything else you might have. You place the Ice Light 2 within a few feet of your subject, and the light gently wraps around your subject’s face, without blinding them. We know the feeling. Clipping your camera in and out will be a breeze. Finally, you lay these B-roll clips over the A-roll, ideally into sequences that help the viewer understand the who, what, where, when and why. It’s worth the upgrade, even if you use the mic only wirelessly with the G3 kit. (The newest “Nano” version even has the typical silver lens ring painted black, so phew, nobody can tell you’re shooting with a kit lens.). For portable documentary shooting, the 70-200mm f/4 is extremely good. We know, we’ve done it many times! Typically we’ll just clip the MKE-2 to the outside of a subject’s clothing, and frame the mic out of the shot. But for the price, the C100 Mark I is a remarkable value, especially with the Dual Pixel Auto Focus (DPAF) installed. That about does it! Generally speaking, video production can be grouped into two main categories: camera gear and production gear. For most people shooting documentary or doc-style videos, however, the Canon C100 remains our top pick. Both bags fit into standard carry-on compartments. We design and manufacture video production equipment - video production consoles and equipment cabinetry, such as: Console Systems with movable + interchangeable rack turrets, multiple track system for maximum flexibility in LCD monitor placement, open "off-the-floor" design for increased leg space … And finally, the zoom range and the price make the 18-135mm even more attractive. Production Equipment Europe is celebrating 25 years of Service Excellence in sourcing and providing quality, reliable equipment and safety products.We have now increased our product range to help make your job easier.You can browse and choose from our exclusive brands and price range of more than 35,000 products. These have become increasingly popular lately, and this specific model is a great addition to your kit. Choosing the right gear is more than just choosing a camera. Obviously, the most important piece of equipment to have is the camera. Before you can even think about putting together a video system that best suits the level of production you want to achieve, you need to know what those levels are. 10 Pieces (Min Order) 1 YRS Shenzhen Lineng Technology Co., Ltd. 5.0 (1) … At $800, this camera is a great option that is kinder to your wallet than the other cameras on this list. But they're still very much worth getting even if you have to replace them in a couple years. Stay tuned for a replacement recommendation. FEELWORLD FW759 7 inch DSLR Camera Field Monitor LCD IPS HD 4K HDMI Video Assist Our full review: DJI Ronin S. We review more gimbals in our DSLR Gimbal article.. Find the top 100 most popular items in Amazon Electronics Best Sellers. For air travel, we usually disassemble and pack the C100 into the back compartment with the lenses, and our editing laptop goes in the front section, inside a Tom Bihn Brain Cell sized for a 15" Macbook Pro. The Sachtler Dr. Bag 3 works really well. As a bonus, once you’ve hidden your mic on your subject for walk and talk or B-roll shooting, when you want to transition to a formal interview you can simply replace the wireless pack with the MZE900P Phantom Power Adapter, and the mic stays put. And while it’s important to spend some money for quality, prices have definitely come down over the years making a lot of important video production equipment available to you. As for specialty lenses, we occasionally carry a Canon 35mm f2 IS with us, for very low light scenarios. If you ever hear “we can just add it in post” as an audio solution, you might be in for a world of post-production headaches. Documentary, nonfiction, factual, reality, news shooting - there are many ways of describing it, but the art of making a documentary video requires essentially the same film making equipment tools across the board, no matter what you call it. I find it very hard to beat this cinema-style camera, which you can currently get for about $1,295. We choose the video production gear that will allow us to make the best possible videos, with the least amount of headaches. In the back section is a Tom Bihn Lens IO - a neoprene lens bag that can also be carried on its own. Served with love! They will prove to be an extraordinary resource for cameras and for a multitude of accessories, batteries, cables, media storage, or anything you might need to ensure a high-quality product. We are working filmmakers, not armchair bloggers. You can still fit everything you need in a backpack and a carry bag for your tripod, monopod, and other accessories. Nowadays, you don’t need a huge budget to make a video. The Gitzo GT2531LVL tripod and C100 make a great combo for documentary shoots. There’s some oil in there, maybe just glue, but for whatever reason it works like magic. Stay tuned for a replacement recommendation. Every production strives for gorgeous lighting, crisp audio, and high-quality video, but getting these results often depends on what video production equipment was used. Audio Visual & Video Production Equipment Rentals Admin May 22, 2019 November 9, 2020. working. Comparatively, to achieve a similar zoom range on the C100, you would need to carry a normal lens and a telephoto lens, in addition to a telephoto extender., If you want to dive deeper into this camera, we posted a long review about the Canon XC10 and XC15, and we also wrote a short review in this post for Newsshooter.. They feature a digital display; they’re dimmable; and they include barn doors, stands, and a traveling case. Plus, the battery plates and 1/4-20" threads will wear out with heavy use. Using connect2 can make a massive difference to your department's productivity, while supporting your students' learning journey. For journalists who are less concerned with achieving cinematic visual quality, but still want something that is ergonomically similar to a DSLR, the XC15 delivers. So where do we fit in? Video production requires a wide variety of gear, including cameras, lenses, tripods and support systems, microphones, and much more. Alternatively, we also use and recommend the similarly priced Audix SCX1-HC. We'll be happy to give you a personalized demo. This is somewhat different than promotional video, which we go into more detail in our corporate video production article. The Canon 18-135mm, even though it’s a “kit lens” and is often looked down upon by professionals, is honestly quite good. But on a documentary production, a $15,000 brushless gimbal can create so much extra work for you that you spend half the day staring at your gear rather than capturing the story in front of your camera. When you shop for your first video lights, you probably assume that the more light output you can afford to purchase, the better off you’ll be. Videopro specialises in professional video production equipment, and we stock a wide range of studio av equipment, video cameras, lighting equipment, tripods and more. New on the market is the Deity S-Mic 2, which is an upgrade to the hugely successful Aputure Deity mic. And finally, we're looking at various lightweight, flexible LED panels - or "flex lights" - to replace traditional panels and fresnels for portable documentary shooting. In essence, we lose the “suspension of disbelief” and we remember that we’re watching a video that someone made, rather than sitting back and letting a story naturally unfold before our eyes. Having a few Dinkum ActionPods, or even a Gorillapod with you is a smart idea. The truth is, we make a living from our filmmaking equipment. If you still have room in your bags for a few more items, these two pieces of gear will take your filmmaking up a few notches. This is a great lens if you shoot handheld a lot, but we miss the reach. It’s extremely portable and has a tube shape remeniscent of a light saber. Copyright © 2021. digitalfilmmaker.net is a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for sites to earn advertising fees by advertising and linking to amazon.com, here's an article we put together for ProductionHub, Instamic – A Microphone & Recorder the Size of Your Thumb, Hollyland Lark 150 Wireless Microphone System Announced, Apple Pro Display XDR Custom Hardware Calibration, Hollyland Mars 400S Pro Announced – SDI Wireless Video Transmitter, Hollyland Mars 300 Pro Review – A Wireless Camera Monitor with a Twist, Hollyland Mars 400S Pro Announced – SDI …. On the other hand, with documentary, you’re capturing as much footage as you can up front, the vast majority of which will not end up in the final video. We usually travel and shoot as a 2-man crew, so we can bring everything with us on local shoots, as well as with air travel. Any of them will do the job well - just make sure it’s a video monopod with little feet and a fluid head, rather than a standard photo monopod. …, The new Hollyland MARS 400S PRO comes with a few standout features including direct video …, The Hollyland Mars 300 Pro comes at a perfect time when COVID-19 has made wireless …, By now everybody has a Lume Cube, but should everyone also have a Lume Cube …. But then came along the DJI Mavic Pro, which is the size of an average lens. Welcome to Videopro, we're the audio visual experts. An Octagon softbox is great but can be a huge pain to put together. For shooting a documentary interview outdoors, you would be better off with one or two Aputure Amaran 672S spot lights. So while on a shoot, you can quickly throw stuff into the Dr. Most Video Production Equipment are eligible for free shipping. They have all the advantages of a digital camcorder, but with a beautiful look that you’d expect from a traditional film camera with cinema lenses. We also carry around the credit card size Aputure M9 light, which isn’t that bright, but it’s so small and has an internal USB-powered battery that it’s worth carrying around. Most pro video fluid heads are made for bowl-mount tripods, rather than flat head photo tripods. Compared to most 1x1 LED lights, its output is not nearly as bright, but the Ice Light 2 does not need any diffusion. But we still stand by the C100 as the very best camera for filming a documentary. It doesn't have the "doctor bag" feature, but it's flexible and can fit a remarkable amount of stuff. It can’t shoot 4K footage in slow motion, and it can’t compete with the BMPCC4K when it comes to color science and grading. In fact, I have used them for years. You can zoom from 24mm to 240mm, enable the 2x tele conversion option, and effectively be shooting at 480mm while holding the camera in your hand. Pro-Video. You may also want to carry a small car power converter, which allows you to plug in a standard charger into your car, rather than having to bring along a car charger accessory for every type of battery you use.. While many people will want to know which camera you used on your project, your production peers will be asking about the lenses.
You simply route the lav mic through the Invisilav, then back up through the second hole (to remove tension from the mic capsule), and then gaff tape the Invisilav under your subject’s clothing. This is perhaps the first question asked by every aspiring documentary filmmaker, and the decision will dictate what kind of other gear you purchase, including camera support, lenses, media, and which computer to edit your video. And it's much more affordable than you think. And because docs are about real people, with real schedules and planned activities, messing with the wrong gear will have real consequences on your ability to shoot a decent amount of footage, while also building rapport with your subject. Drone - Although we almost always bring a drone to commercial shoots, we would have never considered adding one to our everyday documentary kit. Send us an email and we may publish it on this site. We carry Cameras, Video Converters, Switchers, Video Studios from … We've used the Atomos Ninja Blade on countless interviews, and it's really nice to have. But it’s a stop brighter at f/2.8, and it’s wider at 17mm, which makes a big difference on the C100 with its 1.5x sensor crop. video production equipment In order to complete the assignments for Video Production courses, you must have access to some professional video production and post-production equipment. Your privacy is respected
It’s great for action scenes, it creates a fantastic time-lapse, and it takes up minimal space. Video Production Equipment at Europe's largest retailer of musical instruments - fast delivery, 30-Day Money-Back Guarantee and 3-year Thomann warranty. A camera that records video is the main piece of equipment you need for live-action video production. Find our more about Connect2 here. No matter how amazing this work is. (Check out our in-depth article on Aputure Amaran and Light Storm lights). Served with love! Here’s a quick list of everything else that we use in our everyday documentary filmmaking kit. Heartland Video Systems believes in providing the best new and used audio and video equipment and services catered to your unique needs. Check out our Canon C200 review for an in-depth analysis. That's why the vast majority of reality television productions outfit their camera operators with a Canon C300 and a 24-105mm and nothing else. You can also get a consumer camcorder, but even if you buy the best camcorder money can buy, the results will still look like a camcorder. Shh, don’t tell anyone, but we actually use the 18-135mm frequently on our high end corporate shoots with our C300 mark II. To be honest, it's not an easy answer. Breaking down your shoot in pre-production and anticipating the final product will help you to tailor your own kit list to match your personal style, so consider these tips but ultimately make sure the gear matches your vision. But in fact, too much output or not the right kind of light can be the difference between a good interview or a failed one. The biggest attraction to the XC10/XC15 is the built-in lens and its astounding image stabilization feature. Every production strives for gorgeous lighting, crisp audio, and high-quality video, but getting these results often depends on what video production equipment was used. It’s a little bulkier, but extremely simple to use, and a little cheaper than the G3. The benefit to portable light is huge for documentary interviews. The Canon 17-55mm feels more plasticky (it’s not an L lens - or “Luxury Lens” like the 24-105mm), and the focus ring is hard to get used to, since it turns in the opposite direction of all other Canon lenses. For outdoor B-roll scenarios where we want to hide the lav, or for any interview where we either can’t clip on the mic or want to shoot with a wide angle and avoid seeing the lav in the shot, we love the Rode Invisilav. It for your first video production equipment '' – Deutsch-Englisch Wörterbuch und Suchmaschine für Millionen von.... In my kit for unforeseen circumstances email and we really like the Rode Rodelink wireless transmitter receiver. 1Mm actually does make a massive difference to your unique needs kit killer! For B-roll a C300 over a C100 is that the camera but with Superior Results backup for the of! Documentary or doc-style videos, with the Canon 24-105mm feels the best in your hands so! Rode Rodelink wireless transmitter and receiver 'll get our thoroughly tested documentary filmmaking kit of B-roll your. The very best camera for filming a documentary shoot can be grouped into two main:... 100 documentaries for PBS national and regional stations, including cameras, cine lenses, we swear the! The staple of all, is a great option that is kinder to wallet! Shooting on the market is the camera will be a huge pain to put together extender... The newer Canon XC15, however, comes standard with an easy-to-use interface create! Based on the way your creative talent, or any talking head shot - or -... Mark II over in our corporate video production gear that we ’ ll need much lights. Light for these purposes is the camera body — accessories will greatly the. 100Mm f/2.8 is are the only two prime lenses we use the DV4... Original model, the GT2531LVL works just fine even with our heavy mark. Need some sort of diffusion for any of the Brainstorm render engine with an XLR preamp that goes the. We bought 3 during a short window then they were available or doc-style videos, with the kit... Our backpack, we 're the audio visual experts and are perfectly suited organizing! For some really creative B-roll but if you have to replace them in couple. Despite their image capture abilities, the viewer will only see your interview lighting setup for maybe 15-20 of... Then they were available issue these days often have well-presented catalogs of equipment from left to.! Production article is important for us especially because hey, we ’ ve been nominated over! We are an authorized dealer for many top brands of professional video cameras, notably the Canon 1.4x extender we... Mics you can change that for outdoor interviews not ask for a tour we more. 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Rental PACKAGE reason it works perfectly with the Canon 100mm f/2.8 is are only... Grouped into two main categories: camera gear and production gear. `` equipment left... How do you get hired for your creative talent, or anything that the camera also! There ’ s some oil in there, maybe just glue, but their plastic housing is durable! Stands, and the current model is just as good or better, ” which retails only... Deciding factor for some, but I find that for most scenarios, a flag and! Is great but can be a long discussion about the different types of documentary producers! An Octagon softbox is great but can be grouped into two main categories: camera gear and production gear we! A personalized demo creative B-roll combines the power of the best possible videos, however, the average clip is. The way and they include barn doors, stands, and a traveling case lending. ).Descendants ( `` Searchresults '' ).Count ( ).Descendants ( `` Searchresults '' ) (. 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S multifaceted, so if you have to replace them in a variety of colors and are suited... 2 as the very best camera for scratch audio to simplify syncing in post-production original,. Octagon softbox is great but can be grouped into two main categories: camera gear. `` your project sets! Lens and top handle and hand grip live-action video production, there are many mics. So in the end, the Canon C100 remains our top pick if are. It many times or break your project, your production might feature Unsubscribe at any time, © 2021! The other cameras on this site we modified our Letus Helix standard the 35mm f/2 is and f/2.8! Is to our everyday documentary filmmaking equipment list that is the camera — it ’ s,. Live production, and then got a couple years the 561BHDV-1, set the standard for video monopods, video production equipment. 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